MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01121cam a22003137a 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
17137961 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20200519230316.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
120127s2012 caua 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2011275524 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780321750440 (pbk.) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)ocn704386200 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
Indian Institute for Human Settlements-Bangalore |
| Language of cataloging |
eng |
| Transcribing agency |
BTCTA |
| Description conventions |
rda |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
lccopycat |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
770.11 DUC |
| Edition number |
23 |
| Item number |
014154 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
duChemin, David. |
| Relator code |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Photographically speaking : |
| Remainder of title |
a deeper look at creating stronger images / |
| Statement of responsibility, etc |
David duChemin. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Berkeley, California : |
| Name of producer, publisher, distributor, manufacturer |
New Riders, |
| Date of production, publication, distribution, manufacture, or copyright notice |
c2012. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xv, 254 pages : |
| Other physical details |
illustrations (some colour) ; |
| Dimensions |
23 cm |
| 336 ## - Content type term (R) |
|---|
| Source (NR) |
rdacontent |
| Content type term (R) |
text |
| Content type code (R) |
txt |
| 337 ## - Media Type (R) |
|---|
| Source (NR) |
rdamedia |
| Media type term (R) |
unmediated |
| Media type code (R) |
n |
| 338 ## - Carrier Type (R) |
|---|
| Source (NR) |
rdacarrier |
| Carrier type term (R) |
volume |
| Carrier type code (R) |
nc |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Includes index. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
pt. ONE THE PHOTOGRAPHER'S INTENT<br/>ch. One It Means Something<br/>"But I Shoot Intuitively"<br/>All Content Has Meaning<br/>The Frame<br/>The Flattening<br/>A Good Photograph?<br/>Visual Language<br/>"I Like It"<br/>Layers of Impact<br/>A Word about Rules<br/>pt. TWO VISUAL LANGUAGE<br/>ch. Two Elements<br/>Lines<br/>Horizontal Lines<br/>Vertical Lines<br/>Diagonal Lines<br/>The S-Curve<br/>Implied Lines<br/>Other Lines<br/>Repetition<br/>Contrast and Juxtaposition<br/>The Seduction of Color<br/>Light<br/>Moment<br/>ch. Three Decisions<br/>Framing<br/>Crop<br/>Orientation<br/>Aspect Ratio<br/>Placement<br/>Gesture<br/>Thirds<br/>The Golden Ratio and Golden Spiral<br/>Relationship<br/>Point of View, Picture Plane, and Perspective<br/>Balance<br/>Optics<br/>Filters<br/>Focus<br/>Exposure<br/>Expose for Aesthetics<br/>Depth of Field<br/>Shutter Speed<br/>Moving On<br/>pt. THREE 20 PHOTOGRAPHS<br/>Line on the Horizon, Iceland, 2010<br/>Seahorse, Jamaica, 2010<br/>Distracted, Camogli, Italy, 2010<br/>Restless, Death Valley, California, 2011<br/>Vernazza Harbor, Italy, 2010<br/>Gondolier under Bridge, Venice, Italy, 2010<br/>Cling, Haiti, 2005<br/>Upwards & Distracted, Srinagar, India, 2007<br/>Waiting in Lalibela, Ethiopia, 2006<br/>Sweeper, Taj Mahal, Agra, India, 2007<br/>Unseen Too, Kathmandu, Nepal, 2010<br/>Impressions I, II, III, Rideau County, Ontario, 2011<br/>The Pour, Sahara Desert, Tunisia, 2008<br/>Burning Bush, Lake Nalvasha, Kenya, 2010<br/>Hope, Sahara Desert, Tunisia, 2008<br/>Sweeper Two, Agra, India, 2007<br/>Matt Brandon, Ladakh, India, 2010<br/>Smoke Break, Delhi, India, 2007<br/>Maasai Warrior, Kenya, 2011<br/>Candles & Prayers, Kathmandu, Nepal, 2010. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
PHOTOGRAPHIC EQUIPMENT & TECHNIQUES. Photographically Speaking is a practical primer on visual language. The overarching question at the heart of this book is, "What makes a good photograph?" Why is this important? Because once a photographer understands what makes a good photograph--once he or she learns the visual language--then that photographer is well on their way to being able to "speak" that language, creating stronger images that communicate and connect their intention with the viewer. The discussion about visual language is profoundly pragmatic and useful, but for too long the books that discuss it have been considered "academic," esoteric, and difficult. Here, duChemin writes in an approachable, comfortable, and inspiring way, translating this seemingly difficult conversation into something that the bulk of photographers can understand and then actually put to use in order to make good photographs. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Photography |
| General subdivision |
Technique. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Composition (Photography) |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Photography, Artistic. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Book |
