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The philosophy of design / Glenn Parsons.

By: Material type: TextTextPublisher: Cambridge, UK : Polity Press, 2016Description: viii, 192 pages ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780745663890 (pbk.)
  • 9780745663883 (hbk.)
Subject(s): DDC classification:
  • 124 PAR 23 010796
Contents:
Acknowledgements Introduction 1 What is Design? 1.1 Defining Design 1.2 Ontological Issues 1.3 Activity, Profession and Practice 1.4 The Rise of the Designer 2 The Design Process 2.1 The Challenges of Design 2.2 A Crisis of Confidence 2.3 The Epistemological Problem 2.4 Are Design Problems Ill-Defined? 2.5 Some Responses 2.6 Prestructures and Principles 3 Modernism 3.1 The Origins of Modernism 3.2 Reinterpretations and Linkages 3.3 The Failure of Modernism 4 Expression 4.1 The Meanings of Design 4.2 Expression and Eros 4.3 The Better Realization Argument 4.4 Illusion and Reality 4.5 An Objection 5 The Concept of Function 5.1 The Indeterminacy of Function 5.2 Intentionalist Theories of Artefact Function 5.3 Evolutionary Theories of Artefact Function 5.4 Objections to the Evolutionary Theory 5.5 Novelty, Design and the Epistemolocial Problem 6 Function, Form and Aesthetics 6.1 Can Form Follow Function? 6.2 Squaring Function and Aesthetic Value 6.3 Dependent Beauty 6.4 Functional Beauty 6.5 Good Taste in Design 6.6 Bad Taste 7 Ethics 7.1 Applied Ethics and Design 7.2 Consumerism, Needs and Wants 7.3 Is Need an Empty Concept? 7.4 Does Design Alter the Moral Landscape? 7.5 The Designer Stands Alone? Epilogue: The Meaning of Modernism Suggestions for Further Reading Notes References
Summary: * Engages design students with the philosophical and ethical underpinnings of their discipline * Written in a clear accessible way suitable for the non-specialist * Builds a strong case for the reassessment of Modernist design ethics * Suitable for students of design, philosophy, ethics, modernism and related subjects.
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Holdings
Item type Current library Call number Status Date due Barcode
Book Book Indian Institute for Human Settlements, Bangalore 124 PAR 010796 (Browse shelf(Opens below)) Checked out 11/08/2025 010796

First published in 2005 by MBI Publishing Company LLC.

Includes bibliographical references and index.

Acknowledgements Introduction 1 What is Design? 1.1 Defining Design 1.2 Ontological Issues 1.3 Activity, Profession and Practice 1.4 The Rise of the Designer 2 The Design Process 2.1 The Challenges of Design 2.2 A Crisis of Confidence 2.3 The Epistemological Problem 2.4 Are Design Problems Ill-Defined? 2.5 Some Responses 2.6 Prestructures and Principles 3 Modernism 3.1 The Origins of Modernism 3.2 Reinterpretations and Linkages 3.3 The Failure of Modernism 4 Expression 4.1 The Meanings of Design 4.2 Expression and Eros 4.3 The Better Realization Argument 4.4 Illusion and Reality 4.5 An Objection 5 The Concept of Function 5.1 The Indeterminacy of Function 5.2 Intentionalist Theories of Artefact Function 5.3 Evolutionary Theories of Artefact Function 5.4 Objections to the Evolutionary Theory 5.5 Novelty, Design and the Epistemolocial Problem 6 Function, Form and Aesthetics 6.1 Can Form Follow Function? 6.2 Squaring Function and Aesthetic Value 6.3 Dependent Beauty 6.4 Functional Beauty 6.5 Good Taste in Design 6.6 Bad Taste 7 Ethics 7.1 Applied Ethics and Design 7.2 Consumerism, Needs and Wants 7.3 Is Need an Empty Concept? 7.4 Does Design Alter the Moral Landscape? 7.5 The Designer Stands Alone? Epilogue: The Meaning of Modernism Suggestions for Further Reading Notes References

* Engages design students with the philosophical and ethical underpinnings of their discipline * Written in a clear accessible way suitable for the non-specialist * Builds a strong case for the reassessment of Modernist design ethics * Suitable for students of design, philosophy, ethics, modernism and related subjects.

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