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The book of Dhaka : a city short fiction / edited by Pushpita Alam and Arunava Sinha.

Contributor(s): Material type: TextTextManchester : Comma Press 2016Description: xii, 164 pages ; 20 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781905583805 (paperback)
Subject(s): DDC classification:
  • 891.44371 ALA 020412 23
Summary: Dhaka may be one of the most densely populated cities in the world - noisy, gird-locked, short on public amenities, and blighted with sprawling slums - but, as these stories show, it is also one of the most colourful and chaotically joyful places you could possibly call home. Slum kids and film stars, day-dreaming rich boys, gangsters and former freedom fighters all rub shoulders in these streets, often with Dhaka's trademark rickshaws ferrying them to and fro across cultural, economic and ethnic divides. Just like Dhaka itself, these stories thrive on the rich interplay between folk culture and high art; they both cherish and lampoon the city's great tradition of political protest, and they pay tribute to a nation that was borne out of a love of language, one language in particular, Bangla (from which all these stories are translated)
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Holdings
Item type Current library Call number Status Date due Barcode
Book Book Indian Institute for Human Settlements, Bangalore 891.44371 ALA 020412 (Browse shelf(Opens below)) Available 020412
Browsing Indian Institute for Human Settlements, Bangalore shelves Close shelf browser (Hides shelf browser)
891.4437 JAH 004706 The woman who flew / 891.4437 MIS 010235 Wild animals prohibited : 891.44371 AGN 018532 The sickle / 891.44371 ALA 020412 The book of Dhaka : a city short fiction / 891.44371 BAN 010383 Byomkesh Bakshi / 891.44371 BYA 014885 There's gunpowder in the air / 891.44371 BYA 016251 The runaway boy /

Dhaka may be one of the most densely populated cities in the world - noisy, gird-locked, short on public amenities, and blighted with sprawling slums - but, as these stories show, it is also one of the most colourful and chaotically joyful places you could possibly call home. Slum kids and film stars, day-dreaming rich boys, gangsters and former freedom fighters all rub shoulders in these streets, often with Dhaka's trademark rickshaws ferrying them to and fro across cultural, economic and ethnic divides. Just like Dhaka itself, these stories thrive on the rich interplay between folk culture and high art; they both cherish and lampoon the city's great tradition of political protest, and they pay tribute to a nation that was borne out of a love of language, one language in particular, Bangla (from which all these stories are translated)

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