Bob Dylan, don't look back [by] D. A. Pennebaker.
Material type: TextPublication details: New York, NY : Docurama, 1968.Description: 2 videodiscs (152 min.) : sd., b&w and col. ; 4 3/4 in. + 1 companion book (159 p.), 1 flipbookContent type:- text
- unmediated
- volume
- Don't look back
- A00664 782.42164092 PEN 005605
Item type | Current library | Call number | Vol info | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Book | Indian Institute for Human Settlements, Bangalore | 782.42164092 PEN 005605 (Browse shelf(Opens below)) | Available | 005605 | ||
DVD | Indian Institute for Human Settlements, Bangalore | A00664 (Browse shelf(Opens below)) | B29 | Available | A00664 | |
DVD | Indian Institute for Human Settlements, Bangalore | A00665 (Browse shelf(Opens below)) | B29 | Available | A00665 |
The companion book includes a complete transcription of the film, over 200 photos, and a new forward by D.A. Pennebaker and includes the collectible "Subterranean Homesick Blues" flipbook.
Special features: Disc 1: Commentary by director D.A. Pennebaker and tour road manager Bob Neuwirth; five additional uncut audio tracks; alternate version of the "Subterranean homesick blues" cue-card sequence; original theatrical trailer; D.A. Pennebaker filmography; Bob Dylan discography; cast and crew biographies ; Disc 2: A new work compiled by D.A. Pennebaker from over 20 hours of never-before-seen footage; commentary by director D.A. Pennebaker and tour road manager Bob Neuwirth.
Not rated.
Disc 1: Bob Dylan: Don't look back
Disc 2: Bob Dylan 65 revisited.
Performers, Bob Dylan, Albert Grossman, Bob Neuwirth, Joan Baez, Alan Price.
Portrait of the artist as a young man. In spring, 1965, Bob Dylan a 23 year-old, pixieish troubador, spent three weeks in England. Follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand. It's the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. From the opening sequence Dylan is playful and enigmatic.
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