The beautiful and damned / F. Scott Fitzgerald

Scott Fitzgerald's second novel, The Beautiful and Damned (1922), is a savage and haunting satire of the young, rootless post-war generation who live intent only on the pursuit of wealth and decadent pleasure. Anthony Patch's marriage to the beautiful but selfish Gloria is idyllic at first but the union slowly disintegrates as reality sets in and their goal becomes Adam Patch's fortune. Gloria's beauty fades, and Anthony's drinking takes its toll. Charting the corrosive attraction of wealth and its malign influence, The Beautiful and Damned is also a vivid portrait of early twentieth-century New York and the sights and sounds of the city's burgeoning night life.
T̀he victor belongs to the spoils.' Fitzgerald's ironic epigraph to The Beautiful and Damned exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its corrosive effect. Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, àn abiding distrust, an animosity, toward the leisure class - not the conviction of a revolutionist.