000 | 01633nam a22002417a 4500 | ||
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003 | OSt | ||
005 | 20140906124626.0 | ||
008 | 140906b xxu||||| |||| 00| 0 eng d | ||
040 |
_aBLR _eamim |
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082 | _bA00403 | ||
240 | _aಶಂಕರ್ ನಾಗ್ ಕೇಳ್ಕೊಂಡ್ ಬಂದಾಗ | ||
245 | 0 |
_aWhen Shankar Nag comes calling = _bShankar nag kelkond bandaaga / _cdirecred by Sushma Veerappa. |
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260 |
_aBangalore : _bSushma Veerappa, _c2012. |
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300 |
_a1 videodisc (67 mins) : _bsd., col. ; _c4 3/4 in. |
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520 | _aBangalore is another metropolis of India. The stories of the auto-drivers in the documentary are survival stories of millions inhabiting big cities of the world. The twist in Bangalore’s tale is Shankar Nag. No other city has an actor who died 20 years ago, still breathing through auto-ricksha windshields. In the race to become a ‘global’ city, the struggle is as much in holding on to the familiar as it is about embracing the new. How does one seek the familiar, when the familiar is not the same anymore? What does it take for Ramanna, Mahadeva and the Auto-drivers at Shankar Nag Auto Stand, 8th Main Road, Basaveshwarnagar, to ‘belong’ in Bangalore today? How does Shankar Nag fit into this story about identity and belonging? | ||
546 | _aIn English and Kannada. | ||
650 | 0 |
_aAuto rickshaw workers _xSocial conditions _zBangalore. |
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650 | 0 |
_aCultural identity _zBangalore. |
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653 |
_aPublic figures _aGlobalization _aBangalore _aUrban life. |
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700 | 0 |
_aVeerappa, Sushma _eediting |
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700 | 0 |
_aKumar, Vasanth D. _eediting |
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942 |
_2ddc _cDVD |
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999 |
_c4586 _d4586 |